Como parte del magister en Global Digital Cultures, se nos encomendó un trabajo multimedia que narrara cómo es nuestra actividad digital cotidiana. Inmerso en el estallido social en Chile de octubre de 2019, este video resume algo del trabajo como activista digital desde Londres.
Ver aquí.
Uno de los cursos principales del magister Journalisme International Numérique (Lyon 2) consistió en la elaboración de un proyecto multimedia. En este caso, se trató de Ecopolitics, un comparador de políticas medioambientales diseñado para funcionar en varios idiomas y en más de 50 países de todo el mundo.
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This essay seeks to discuss to what extent neoliberal capitalism has influenced global digital cultures and how this power relation is also present in Chile’s return to democracy. Based on Ernesto Laclau and Chantal Mouffe’s conception of hegemony, this paper will argue that due to neoliberalism’s hegemonic character, it has played a fundamental role in the birth and development of digital cultures. However, this is not a vertical exchange but a reciprocal one. Global digital cultures have shaped how we interact with neoliberalism, and in a similar way, neoliberalism itself.
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The night of 14 November 2019, during the Latin Grammy’s red carpet, Chilean singer Mon Laferte stopped walking, faced the photographers and silently uncovered her chest. While millions of Chileans marched in the streets of her country in the biggest social uprising since the return of democracy, Laferte decided it was time to show her discontent with the police brutality happening back home and showed a message written in Spanish on her chest: “In Chile they torture, rape and kill”.
This paper attempts to outline a qualitative content analysis of the extent Mon Laferte’s appearance in the Grammy’s red-carpet helped visualise the social uprising taken place in Chile at a global scale.
Leer aquí.